๐“๐ก๐ž ๐๐ฎ๐ซ๐ž๐š๐ฎ๐œ๐ซ๐š๐œ๐ฒ ๐จ๐Ÿ ๐‘๐ฎ๐ข๐ง๐ฌ

The UP College of Arts and Letters (CAL) is a strange case: an elite intellectual center that exists, for all practical purposes, in the middle of the street.

According to the 2026 Times Higher Education and 2025 QS World Rankings, CAL remains the premier home for arts and humanities in the Philippines. It is an institution that has produced eighteen National Artists and a steady stream of global award-winners. Its output anchored the universityโ€™s 331st global ranking in the discipline, with English and Comparative Literature, European Languages, and Theatre Arts frequently outranking the universityโ€™s wealthier, science and technology-based units. To a data analyst in London, New York, or Tokyo, these metrics suggest a well-funded, stable machine. To the scholars in Diliman, the rankings are a feat of sheer, stubborn endurance.

Everything changed on April 1, 2016, when the Faculty Center burned. In a few hours, the college lost more than a landmark. It lost the countryโ€™s intellectual basement. These were not merely “files.” They included the hand-marked drafts of National Artists and Professors Emeritiโ€”decades of notes on the Filipino identity that became gray ash by sunrise. A decade later, that site is not being rebuilt for the people who lost their work. It is being reclaimed by a different priority.

There is a sharp, quiet irony in how the university handles its brand. The administration frequently uses “liberal arts excellence” to sell the institution to donors and international partners, effectively trading on the prestige earned by CALโ€™s faculty, students, and alumni while keeping those same people on the curb. While the college climbed the rankings, ๐ญ๐ก๐ž “๐…๐š๐œ๐ฎ๐ฅ๐ญ๐ฒ ๐‚๐จ๐ฆ๐ฆ๐จ๐ง๐ฌ” ๐จ๐ง ๐ญ๐ก๐ž ๐จ๐ซ๐ข๐ ๐ข๐ง๐š๐ฅ ๐ฌ๐ข๐ญ๐ž ๐ฐ๐š๐ฌ ๐ซ๐ž๐๐ž๐ฌ๐ข๐ ๐ง๐ž๐ ๐Ÿ๐จ๐ซ ๐š๐๐ฆ๐ข๐ง๐ข๐ฌ๐ญ๐ซ๐š๐ญ๐ข๐ฏ๐ž ๐ฌ๐ฎ๐ข๐ญ๐ž๐ฌโ€”๐ช๐ฎ๐ข๐ž๐ญ, ๐š๐ข๐ซ-๐œ๐จ๐ง๐๐ข๐ญ๐ข๐จ๐ง๐ž๐ ๐ซ๐จ๐จ๐ฆ๐ฌ ๐Ÿ๐จ๐ซ ๐จ๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ๐ฌ ๐ฐ๐ก๐จ ๐š๐ฅ๐ซ๐ž๐š๐๐ฒ ๐ฉ๐จ๐ฌ๐ฌ๐ž๐ฌ๐ฌ๐ž๐ ๐จ๐Ÿ๐Ÿ๐ข๐œ๐ž๐ฌ. Meanwhile, the teachers, researchers and artists who actually built that global reputation remain nomadic.

The neglect is perhaps most visible in the silence of the institutionโ€™s current leadership transitions. ๐ˆ๐ง ๐ญ๐ก๐ž ๐จ๐ง๐ ๐จ๐ข๐ง๐  ๐ฌ๐ž๐š๐ซ๐œ๐ก ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐ง๐ž๐ฑ๐ญ ๐”๐ ๐ƒ๐ข๐ฅ๐ข๐ฆ๐š๐ง ๐‚๐ก๐š๐ง๐œ๐ž๐ฅ๐ฅ๐จ๐ซ, ๐ญ๐ก๐ž ๐ซ๐ž๐ฌ๐ญ๐จ๐ซ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐…๐š๐œ๐ฎ๐ฅ๐ญ๐ฒ ๐‚๐ž๐ง๐ญ๐ž๐ซ ๐ก๐š๐ฌ ๐›๐ž๐ž๐ง ๐œ๐จ๐ง๐ฌ๐ฉ๐ข๐œ๐ฎ๐จ๐ฎ๐ฌ๐ฅ๐ฒ ๐š๐›๐ฌ๐ž๐ง๐ญ ๐Ÿ๐ซ๐จ๐ฆ ๐ก๐ข๐ ๐ก-๐ฅ๐ž๐ฏ๐ž๐ฅ ๐๐ข๐ฌ๐œ๐จ๐ฎ๐ซ๐ฌ๐ž. It is treated as a footnote rather than an urgency, an “issue” to be managed rather than a crisis to be solved. This omission is the ultimate proof of institutional indifference: even as the university seeks new leadership, the literal heart of its premier college remains a hollowed-out memory.

This is not just a matter of convenience. It is a break in how people learn. ๐“๐ก๐ž ๐จ๐ฅ๐ ๐…๐š๐œ๐ฎ๐ฅ๐ญ๐ฒ ๐‚๐ž๐ง๐ญ๐ž๐ซ ๐ฐ๐š๐ฌ ๐š “๐ญ๐ก๐ข๐ซ๐ ๐ฌ๐ฉ๐š๐œ๐ž”โ€”๐š ๐ฌ๐š๐ง๐œ๐ญ๐ฎ๐š๐ซ๐ฒ ๐ฐ๐ก๐ž๐ซ๐ž ๐ญ๐ก๐ž ๐ซ๐ข๐ ๐ข๐ ๐ฅ๐ข๐ง๐ž๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐œ๐ฅ๐š๐ฌ๐ฌ๐ซ๐จ๐จ๐ฆ ๐›๐ฅ๐ฎ๐ซ๐ซ๐ž๐ ๐ข๐ง๐ญ๐จ ๐ฆ๐ž๐ง๐ญ๐จ๐ซ๐ฌ๐ก๐ข๐ฉ. ๐ˆ๐ญ ๐ฐ๐š๐ฌ ๐ฐ๐ก๐ž๐ซ๐ž ๐†๐ž๐ง๐ž๐ซ๐š๐ฅ ๐„๐๐ฎ๐œ๐š๐ญ๐ข๐จ๐ง ๐ญ๐ž๐š๐œ๐ก๐ž๐ซ๐ฌ ๐š๐œ๐ญ๐ž๐ ๐š๐ฌ ๐š ๐ฌ๐š๐Ÿ๐ž๐ญ๐ฒ ๐ง๐ž๐ญ ๐Ÿ๐จ๐ซ ๐ญ๐ก๐จ๐ฎ๐ฌ๐š๐ง๐๐ฌ ๐จ๐Ÿ ๐ฌ๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ ๐Ÿ๐š๐ซ ๐Ÿ๐ซ๐จ๐ฆ ๐ก๐จ๐ฆ๐ž.

Today, that social glue is gone, and the college has become a set of disconnected points on a map. You can see the toll in the way the faculty lives. ๐€ ๐”๐ ๐‚๐€๐‹ ๐ฉ๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐จ๐ซโ€™๐ฌ ๐ž๐ง๐ญ๐ข๐ซ๐ž ๐ฉ๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐š๐ฅ ๐ฅ๐ข๐Ÿ๐ž ๐ข๐ฌ ๐ง๐จ๐ฐ ๐š “๐ฉ๐จ๐ซ๐ญ๐š๐›๐ฅ๐ž ๐จ๐Ÿ๐Ÿ๐ข๐œ๐ž”: ๐š ๐›๐š๐œ๐ค๐ฉ๐š๐œ๐ค ๐ฌ๐ญ๐ฎ๐Ÿ๐Ÿ๐ž๐ ๐ฐ๐ข๐ญ๐ก ๐š ๐ฅ๐š๐ฉ๐ญ๐จ๐ฉ, ๐š ๐ญ๐ก๐ฎ๐ฆ๐› ๐๐ซ๐ข๐ฏ๐ž ๐จ๐Ÿ ๐ž๐ฏ๐ž๐ซ๐ฒ ๐ฅ๐ž๐œ๐ญ๐ฎ๐ซ๐ž ๐ญ๐ก๐ž๐ฒโ€™๐ฏ๐ž ๐ž๐ฏ๐ž๐ซ ๐ฐ๐ซ๐ข๐ญ๐ญ๐ž๐ง, ๐š๐ง๐ ๐š ๐ฌ๐ญ๐š๐œ๐ค ๐จ๐Ÿ ๐›๐ฅ๐ฎ๐ž ๐›๐จ๐จ๐ค๐ฌ. ๐“๐ก๐ž๐ฒ ๐ ๐ซ๐š๐๐ž ๐ž๐ฑ๐š๐ฆ๐ฌ ๐ข๐ง ๐ญ๐ก๐ž ๐ก๐ฎ๐ฆ๐ข๐ ๐ซ๐จ๐š๐ซ ๐จ๐Ÿ ๐œ๐š๐ฆ๐ฉ๐ฎ๐ฌ ๐œ๐š๐ง๐ญ๐ž๐ž๐ง๐ฌ ๐จ๐ซ ๐š๐ญ ๐ญ๐ก๐ž ๐ฌ๐ญ๐ข๐œ๐ค๐ฒ ๐ญ๐š๐›๐ฅ๐ž๐ฌ ๐จ๐Ÿ ๐š ๐œ๐จ๐ฆ๐ฆ๐ž๐ซ๐œ๐ข๐š๐ฅ ๐œ๐จ๐Ÿ๐Ÿ๐ž๐ž ๐ฌ๐ก๐จ๐ฉ, competing for space with noisy refrigerators and the transit of strangers.

There is a common mistake in thinking that a “world-class” mind only needs a brain to function. But the humanities are social. They require the “casual collisions” and shared coffee that only a physical home allows. Every student at the university, whether they are headed for a lab or a law firm, passes through CAL to learn how to think, write, and study the friction between nations and nationalism. The college is the universityโ€™s conscience, yet it is treated like a tenant without a lease.

Philippine scholarship is currently running on conviction rather than support. CAL has proven it can produce world-class teaching, theater, creative works and research from a borrowed desk or a sidewalk. But asking for “defiant excellence” while refusing to provide a roof is a strategy of diminishing returns. The college has already delivered the prestige. It should not still be waiting for an address.

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