๐๐ก๐ ๐๐ฎ๐ซ๐๐๐ฎ๐๐ซ๐๐๐ฒ ๐จ๐ ๐๐ฎ๐ข๐ง๐ฌ
The UP College of Arts and Letters (CAL) is a strange case: an elite intellectual center that exists, for all practical purposes, in the middle of the street.
According to the 2026 Times Higher Education and 2025 QS World Rankings, CAL remains the premier home for arts and humanities in the Philippines. It is an institution that has produced eighteen National Artists and a steady stream of global award-winners. Its output anchored the universityโs 331st global ranking in the discipline, with English and Comparative Literature, European Languages, and Theatre Arts frequently outranking the universityโs wealthier, science and technology-based units. To a data analyst in London, New York, or Tokyo, these metrics suggest a well-funded, stable machine. To the scholars in Diliman, the rankings are a feat of sheer, stubborn endurance.
Everything changed on April 1, 2016, when the Faculty Center burned. In a few hours, the college lost more than a landmark. It lost the countryโs intellectual basement. These were not merely “files.” They included the hand-marked drafts of National Artists and Professors Emeritiโdecades of notes on the Filipino identity that became gray ash by sunrise. A decade later, that site is not being rebuilt for the people who lost their work. It is being reclaimed by a different priority.
There is a sharp, quiet irony in how the university handles its brand. The administration frequently uses “liberal arts excellence” to sell the institution to donors and international partners, effectively trading on the prestige earned by CALโs faculty, students, and alumni while keeping those same people on the curb. While the college climbed the rankings, ๐ญ๐ก๐ “๐ ๐๐๐ฎ๐ฅ๐ญ๐ฒ ๐๐จ๐ฆ๐ฆ๐จ๐ง๐ฌ” ๐จ๐ง ๐ญ๐ก๐ ๐จ๐ซ๐ข๐ ๐ข๐ง๐๐ฅ ๐ฌ๐ข๐ญ๐ ๐ฐ๐๐ฌ ๐ซ๐๐๐๐ฌ๐ข๐ ๐ง๐๐ ๐๐จ๐ซ ๐๐๐ฆ๐ข๐ง๐ข๐ฌ๐ญ๐ซ๐๐ญ๐ข๐ฏ๐ ๐ฌ๐ฎ๐ข๐ญ๐๐ฌโ๐ช๐ฎ๐ข๐๐ญ, ๐๐ข๐ซ-๐๐จ๐ง๐๐ข๐ญ๐ข๐จ๐ง๐๐ ๐ซ๐จ๐จ๐ฆ๐ฌ ๐๐จ๐ซ ๐จ๐๐๐ข๐๐ข๐๐ฅ๐ฌ ๐ฐ๐ก๐จ ๐๐ฅ๐ซ๐๐๐๐ฒ ๐ฉ๐จ๐ฌ๐ฌ๐๐ฌ๐ฌ๐๐ ๐จ๐๐๐ข๐๐๐ฌ. Meanwhile, the teachers, researchers and artists who actually built that global reputation remain nomadic.
The neglect is perhaps most visible in the silence of the institutionโs current leadership transitions. ๐๐ง ๐ญ๐ก๐ ๐จ๐ง๐ ๐จ๐ข๐ง๐ ๐ฌ๐๐๐ซ๐๐ก ๐๐จ๐ซ ๐ญ๐ก๐ ๐ง๐๐ฑ๐ญ ๐๐ ๐๐ข๐ฅ๐ข๐ฆ๐๐ง ๐๐ก๐๐ง๐๐๐ฅ๐ฅ๐จ๐ซ, ๐ญ๐ก๐ ๐ซ๐๐ฌ๐ญ๐จ๐ซ๐๐ญ๐ข๐จ๐ง ๐จ๐ ๐ญ๐ก๐ ๐ ๐๐๐ฎ๐ฅ๐ญ๐ฒ ๐๐๐ง๐ญ๐๐ซ ๐ก๐๐ฌ ๐๐๐๐ง ๐๐จ๐ง๐ฌ๐ฉ๐ข๐๐ฎ๐จ๐ฎ๐ฌ๐ฅ๐ฒ ๐๐๐ฌ๐๐ง๐ญ ๐๐ซ๐จ๐ฆ ๐ก๐ข๐ ๐ก-๐ฅ๐๐ฏ๐๐ฅ ๐๐ข๐ฌ๐๐จ๐ฎ๐ซ๐ฌ๐. It is treated as a footnote rather than an urgency, an “issue” to be managed rather than a crisis to be solved. This omission is the ultimate proof of institutional indifference: even as the university seeks new leadership, the literal heart of its premier college remains a hollowed-out memory.
This is not just a matter of convenience. It is a break in how people learn. ๐๐ก๐ ๐จ๐ฅ๐ ๐ ๐๐๐ฎ๐ฅ๐ญ๐ฒ ๐๐๐ง๐ญ๐๐ซ ๐ฐ๐๐ฌ ๐ “๐ญ๐ก๐ข๐ซ๐ ๐ฌ๐ฉ๐๐๐”โ๐ ๐ฌ๐๐ง๐๐ญ๐ฎ๐๐ซ๐ฒ ๐ฐ๐ก๐๐ซ๐ ๐ญ๐ก๐ ๐ซ๐ข๐ ๐ข๐ ๐ฅ๐ข๐ง๐๐ฌ ๐จ๐ ๐ญ๐ก๐ ๐๐ฅ๐๐ฌ๐ฌ๐ซ๐จ๐จ๐ฆ ๐๐ฅ๐ฎ๐ซ๐ซ๐๐ ๐ข๐ง๐ญ๐จ ๐ฆ๐๐ง๐ญ๐จ๐ซ๐ฌ๐ก๐ข๐ฉ. ๐๐ญ ๐ฐ๐๐ฌ ๐ฐ๐ก๐๐ซ๐ ๐๐๐ง๐๐ซ๐๐ฅ ๐๐๐ฎ๐๐๐ญ๐ข๐จ๐ง ๐ญ๐๐๐๐ก๐๐ซ๐ฌ ๐๐๐ญ๐๐ ๐๐ฌ ๐ ๐ฌ๐๐๐๐ญ๐ฒ ๐ง๐๐ญ ๐๐จ๐ซ ๐ญ๐ก๐จ๐ฎ๐ฌ๐๐ง๐๐ฌ ๐จ๐ ๐ฌ๐ญ๐ฎ๐๐๐ง๐ญ๐ฌ ๐๐๐ซ ๐๐ซ๐จ๐ฆ ๐ก๐จ๐ฆ๐.
Today, that social glue is gone, and the college has become a set of disconnected points on a map. You can see the toll in the way the faculty lives. ๐ ๐๐ ๐๐๐ ๐ฉ๐ซ๐จ๐๐๐ฌ๐ฌ๐จ๐ซโ๐ฌ ๐๐ง๐ญ๐ข๐ซ๐ ๐ฉ๐ซ๐จ๐๐๐ฌ๐ฌ๐ข๐จ๐ง๐๐ฅ ๐ฅ๐ข๐๐ ๐ข๐ฌ ๐ง๐จ๐ฐ ๐ “๐ฉ๐จ๐ซ๐ญ๐๐๐ฅ๐ ๐จ๐๐๐ข๐๐”: ๐ ๐๐๐๐ค๐ฉ๐๐๐ค ๐ฌ๐ญ๐ฎ๐๐๐๐ ๐ฐ๐ข๐ญ๐ก ๐ ๐ฅ๐๐ฉ๐ญ๐จ๐ฉ, ๐ ๐ญ๐ก๐ฎ๐ฆ๐ ๐๐ซ๐ข๐ฏ๐ ๐จ๐ ๐๐ฏ๐๐ซ๐ฒ ๐ฅ๐๐๐ญ๐ฎ๐ซ๐ ๐ญ๐ก๐๐ฒโ๐ฏ๐ ๐๐ฏ๐๐ซ ๐ฐ๐ซ๐ข๐ญ๐ญ๐๐ง, ๐๐ง๐ ๐ ๐ฌ๐ญ๐๐๐ค ๐จ๐ ๐๐ฅ๐ฎ๐ ๐๐จ๐จ๐ค๐ฌ. ๐๐ก๐๐ฒ ๐ ๐ซ๐๐๐ ๐๐ฑ๐๐ฆ๐ฌ ๐ข๐ง ๐ญ๐ก๐ ๐ก๐ฎ๐ฆ๐ข๐ ๐ซ๐จ๐๐ซ ๐จ๐ ๐๐๐ฆ๐ฉ๐ฎ๐ฌ ๐๐๐ง๐ญ๐๐๐ง๐ฌ ๐จ๐ซ ๐๐ญ ๐ญ๐ก๐ ๐ฌ๐ญ๐ข๐๐ค๐ฒ ๐ญ๐๐๐ฅ๐๐ฌ ๐จ๐ ๐ ๐๐จ๐ฆ๐ฆ๐๐ซ๐๐ข๐๐ฅ ๐๐จ๐๐๐๐ ๐ฌ๐ก๐จ๐ฉ, competing for space with noisy refrigerators and the transit of strangers.
There is a common mistake in thinking that a “world-class” mind only needs a brain to function. But the humanities are social. They require the “casual collisions” and shared coffee that only a physical home allows. Every student at the university, whether they are headed for a lab or a law firm, passes through CAL to learn how to think, write, and study the friction between nations and nationalism. The college is the universityโs conscience, yet it is treated like a tenant without a lease.
Philippine scholarship is currently running on conviction rather than support. CAL has proven it can produce world-class teaching, theater, creative works and research from a borrowed desk or a sidewalk. But asking for “defiant excellence” while refusing to provide a roof is a strategy of diminishing returns. The college has already delivered the prestige. It should not still be waiting for an address.
